Monday, September 29, 2008
Found the Oracle
Thursday, September 25, 2008
perseverance or boredom?
Lately, I've not been too satisfied with my work-I get that bad feeling that I'm repeating myself, with slight variations thrown in in order to keep things "fresh"-but the "fresh" part doesn't seem to be working for me.
I know this side of myself-the boredom that sets in, when I'm too long on any one subject. I've always wondered this-by repeating the motion, do we (I ) get anywhere closer to the bone? Does this persistance pay off or merely produce increasingly cheaper copies of what has come before? What role does repetition/security in my work have for me?
Although I want the bread I eat to be consistant as per its label (I'd replace brands or grains if I wanted a change), I don't see this as a good characteristic of an artist's output. The major contradiction to this thought is of course that the folks who want your work don't want to see it change-at least until they are done and bored with you and the thrill you offered them has gone elsewhere-to newer, shinier stars...aren't we all like that as humans-sure, we all have different "rates" at which we get bored, but eventually for all of us, it's time to change the channel.
On the other side of this coin is the idea of sticking to a subject to explore every possible nook and cranny. By today's definition, this is a passe way to go about things (given the fact that there is something new thrown at us every fraction of a second, courtesy electronic media and the current culture that the same has given rise to)-but does that make this invalid or just out of "style?" Does this form of chanting bring me to a higher state and allow more doors to open or am I giving myself excuse to churn out more "product?"
Does "turning the page" give me license to escape the hard work/persistance needed to reach a (perceived) higher plateau?
Confusing. In the past, I've always resolved this issue by heading in a new direction. An only child coming from a family that changes things only when forced to, the most unnatural path for me has always been to go onto something new thing, therefore producing a time of personal (but many times liberating) turmoil. But I don't know if this is the best path or not.
I worry that I squander the time left to me. As in painting I've done recently-ok, so it's not good by my own standards and sure, I'm learning something: but is the learning cohesive (I guess to really know that I'd be able to retrospect and analyze my whole life, i.e., dead)?
Is it necessary to make everything count? Should it all be that serious? Simply cobbling things together without any need of practical results means that you are a child, engaged in play. Should not play have some place (at least for us poor stupid artists) after childhood's end?
I know that there is value in this, but, unfortunately, it usually comes along with all the usual adult entrapments.
Monday, September 22, 2008
Place
Woken up. It's the middle of the night, when all noises and shapes are softened. When we speak, the words are quieted down and hushed-if only in respect for the neighbors (or whatever ghosts we don;t want to wake). We carry on our mission as noiselessly as possible.
We are going to the shore-the dark, warm Jersey shore to rent a little rowboat and go crabbing-a family tradition in which we all seem to animate, much like a Bosch painting brought to life. We are humble peasants at leisure, gathering delicacies for our table.
There's soft light in the kitchen-today I wonder if it would be possible to find a bulb like the one in my childhood kitchen: one that could mimic the light cast. Of course, the fixture and the glass that produce that light haven't been made for 60 years...When I was even younger, the prominent sound of that light switch (which I couldn't identify from my child's bed) scared me: I wondered just what demon was afoot, gnashing teeth or claws to make that sharp click.
Only years later did I put a stop to that delicious fear with the logic that comes from growing into adulthood.
Sandwiches, juices, carefully wrapped slabs of cake, fruit...all packed in that same low-lit aura...the crickets and night noises all outside, all humming along, knowing or caring nothing of our trip.
The car (a beast from the 50's) loaded. The soft light cut off-a lone streetlight or the moon giving shape to the otherwise black night-eveything still covered over in softness. Closing, locking the door, the soft light coming along with us for the trip-we leave nothing behind-the house remains, going backl to bed, sleeping alongside its neighbors.
Crickets even louder, muffled again only by the car door softly shut, another click. Turning the key. Slowly out the driveway and on down the street. Sneaking away like thieves in the night.
The parkway tolls interrupt our otherwise steady speed. I am hynotized by the steady stream of lights we pass under-a bit surprised that there are others, anonymous, also headed towards the shore-do we know them?
The street lights behind us, I count ridges in the road by the slight bumping of the tires-I can't hear crickets, but I know that they have followed us-our headlights seem to be the only lights on the road-far off to the left and the right are little pinpricks of bright...streetlights for sleeping people...the dashboard constant with its mystical colored glow.
One time on this same journey, after leaving the black river of the parkway, we passed a building-a bar and grill-totally engulfed in flame in the early dawn. The firemen had given up on trying to save it and were there simply to make sure that the fire didn't spread. Drinking coffee.
We move even closer to the shore, passing signs for towns I knew to be on the ocean. Soon, I got a glimpse of what I've been waiting for-the ocean, reflecting whatever it can, challenged by the dark night.
There is now a hint of dawn in the sky, more of a feeling than a reality. We park and stow the beast, dragging bags and boxes and reassembling them on a shoreline under a string of lights (xmas tree lot style). There is a cluster of empty boats that hugs the shore, one of which I'm sure is ours for the day.
A guy comes out of a shack and my father and he murmur suspiciously (be quiet, don't wake the neighbors) while I investigate the shoreline and its string of seaweed and wrack-dead fish, old shells, bits and pieces, souvenirs of the ocean. The draw and surge of the tide, here quite weak, is mesmerizing. I need to touch the water-either hand or shoe-some part of me needs contact-unexplainable, but nonetheless important to me. Strong arms heave me up over the wale of the rowboat and I'm in, the shimmy and floating only strange for a moment or two.
Soon we're out on the bay (count ten strokes of the oars) and on the water deep and mysterious. Objects thrown in (like a piece of donut) hurry downward away from me, rhythmically swaying in the current, as if testing their very gravity, before being lost forever. It's morning and the sun is gaining strength.
Thursday, September 18, 2008
Back...continued
Bandelier was a full day in the sun, but truly worth it. Petroglyphs, caves, ruins of adobe structures... we did not climb ot one of the biggest caves, where assemblies took place. I'm sorry that we missed it, but by then, we were more than tuckered out. On driving back, we went through Los Alamos-a non-descript suburban mountain town with laboratories as opposed to small factories...stopped into the science museum (briefly as it was late and they closed half an hour after we arrived) and then home to Santa Fe.
The towns of Nambe (reservation), Pojoaque, Tesuque, Las Truchas, Cochiti had great names, but we spent no time in any of them-just sped past them. Route 66 seemed the same way-almost non-descript, except for a part in Albuquerque, which had the old Adobe-style motels, formed into a tight square or rectangle...one of these motels claimed to be the oldest, still operating since the 30's-but this place, sadly, was recently boarded up and chain link fencing was drawn around its perimeter.
The photo: one of the petroglyphs we saw at Petroglyph Monument, where Cara saw a roadrunner and I did not!
Tuesday, September 16, 2008
Back
Wednesday, September 3, 2008
A little older, a little more confused
corners to break off
the plastic has been off the box
for a while now
territory that is unknown to me
diminishes daily
I've gone from wise ass
to older and wiser
Now
I can trust feelings
that don't use concrete
and reasoning
animals
really do cut to the chase
Taking no prisoners is for fools
too stupid
to understand
their own set of bellows
and just how feeble
Hummers are
without tires
or gasoline.