Ann Arbor

Guess you can imagine how hot it was at the Ann Arbor show this past week...outdoor shows definitely have their drawbacks: the heat was a monster! It was even stranger to see all these folks out shopping and looking at art: if it was me, I'd be home in the AC. Luckily, it wasn't me who decided whether or not to go out. I had a pretty decent show-far better than last year, if you're counting.
I stayed with Ed and susan Major, who couldn't have been any nicer. I met them at the show last year and decided to take them up on their offer of a close, nice place to stay. Not only was all the above true, but they fed me every day and I hope some day to return the favor. I stand in awe of their generosity and good will.

What I wanted to write about was dirt. The stuff that clings and that you wash off-I have realized that dirt is a necessary ingredient in my work-that dust and ground-in grime go along with history-especially the history that goes along with found objects and found materials-you know, the stuff that I use. It occured to me that these materails wouldn't be genuine and probably would not have real history if they did not have clinging, ground-in dirt on them. They are aged. Used. Worn. Broken. Faded. Ripped....but always dirty.
So for me, there is a credibility that comes with dirt. We know that this thing has been through someone's hands and has suffered some of the effects of age. I suppose that these objects could be cleaned up, possibly even sterilized. But what's the point? We know that we are human by the mess and the dirt that we create and leave behind. This is a marker of being humna, which is why I find it all the stranger that we work so hard at getting ourselves "squeaky" clean. Guess I like my dirt-I'm no "Pigpen", but neither do I spend my spare moments cleaning up.
And I don't beleive in washing dogs too often, either. King Johnny is one lucky hound-ponds, yes. Bathtubs, no.